Billy bookcase, Gillis Lundgren, the designer who transformed Ikea in the 1950’s

5:00 PM Latice Design 0 Comments




Gillis Lundgren, an industrial designer who helped make Ikea the largest furniture retailer in the world with his no-frills designs, most notably the Billy bookcase that millions of frugal book collectors have used to build their home libraries, has died at 86.

Mr. Lundgren joined Ikea in 1953 as the company’s fourth employee and advanced to become its first design manager. A draftsman with training in graphics, he designed hundreds of Ikea’s simple, portable furnishings and was credited with creating the company logo, whose blue and yellow colors were taken from the Swedish flag.Every year hundreds of millions of shoppers visit Ikea stores in pursuit of the economical establishment of a household.


Mr. Lundgren joined Ikea in 1953 as the company’s fourth employee and advanced to become its first design manager. A draftsman with training in graphics, he designed hundreds of Ikea’s simple, portable furnishings and was credited with creating the company logo, whose blue and yellow colors were taken from the Swedish flag.Every year hundreds of millions of shoppers visit Ikea stores in pursuit of the economical establishment of a household.

                                          http://www.ikea.com/assembly_instructions/billy-bookcase--202-cm__JXQ13_PUB.PDF
ikea-billy bookshelf proportions 


“I want to create solutions for everyday based on people’s needs,” Australian newspapers quoted him as saying. “My products are simple, practical and useful for everyone, no matter how old you are or what your life situation.”Gillis Lundgren was born in Lund, in southern Sweden, in 1929. He studied at the Malmo technical college and joined Ikea as a catalogue manager. A complete list of his survivors could not immediately be confirmed.He was credited with designing or helping design the vaguely mid-century modern Klippan sofa and Lövbacken table, originally sold in the 1950s under the name Lövet. Ikea product names, with their profusion of umlauts and unfamiliar sounds such as Ektorp Jennylunda chair) and Magnarp (a lamp), are the subject of cult fascination. (The company’s name is an acronym made from the initials of its founder, I.K., followed by the first letters of the names of the farm, Elmtaryd, and the town, Agunnaryd, where he grew up.) The Billy, one of the simpler words in the Ikea lexicon, was reportedly named for Billy Liljedahl, an advertising colleague of Mr. Lundgren’s who had expressed a desire for a “bookcase just for books.”


According to Quartz, Ikea produces 15 Billy bookcases per minute and had sold more than 41 million sets by 2009, after Billy turned 30 — the age at which some Billy owners may choose to graduate to a higher-end library. Many used Billy bookcases find their way to new homes, by way of Craigslist or as family hand-me-downs.

“I’m particularly happy that Billy has made it possible for so many people to build their own little library,” Mr. Lundgren once said. “In the old days, books were quite uncommon in most homes. These days, everyone has books, which is as it should be.”



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Latice Works: Brand Identity - The Bogeto Café, Matunga.

5:25 AM Latice Design 1 Comments

The Bogeto Café


Amidst the hustle of Matunga, resides bring to you ‘The Bogeto café’.

Enjoy the best of pastries by one of the best pastry chef in town.
Shashank Shetty, A pastry chef who’s graduated from 
Cesar Ritz Culinary Arts Academy, Switzerland; Promises to bring twinkle to your eyes, tongue and heart by creating pastries that would melt every bit of you.



Logo

Logo Proportions 

Variable Logo Sizes 

Stationery Collateral

Food & Drinks Menu

Food Menu

Food Menu

Menu Card & Cake Box

Takeaway Flyer + Spaghetti with Pesto, Cheddar Cheese & Garlic Bread + Fresh Mojito

Takeaway Flyer + Spaghetti with Pesto, Cheddar Cheese & Garlic Bread

Takeaway Flyer + Pizza + The Bogeto Iced Tea

Confectionery Menu

Storefront


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The new Uber branding is why you need Latice Design.

10:01 AM Latice Design 0 Comments



Old & New Uber Logo and App icon.

Uber quite recently changed its company’s branding from its iconic horseshoe type U to something that looks like a macbook charger. Besides the app icon they also changed their company logo font which was for the better, the new Uber text looks sleek and elegant all the time remaining modern and professional.



Uber co-founder and CEO Travis Kalanick's personal preferences played a big role in shaping the new design. The company wanted to replace its metallic black and silver palette, which was hard to adapt for holidays and soften to appear less aggressive. The design team had to grin and bear it. Here is Wired's description of Shalin Amin, Uber's design director, and his team, working on the new color scheme:

"Kalanick became engrossed, evaluating pixels and colors according to what he euphemistically calls his "unique" set of preferences. Light smirks ripple across the room. "I basically gave up understanding what your personal preference was," Shalin tells him. "I was like, ‘he’s got this pastel thing going with, like, bright colors.’"

Colour & Pattern Moodboards.
In the end, the team realized it didn't make sense for a company doing business in 65 countries to have its look defined by a single 40-year-old white guy in San Francisco. So the redesign will allow each regional arm to have its own "country-specific colour and pattern palettes" alongside five global ones.
The new Uber Passenger & Uber Driver App icons.

The problem with the bit and the texture the atoms is that, at least judging from the main Uber website, there is no real synergy between them and no relationship to the logo or the rest of the layout and typography. It’s all nicely placed on there but it feels like patchwork.


 

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Karim Rashid: Global Love Collection for Marshalls

1:00 PM Latice Design 0 Comments












Karim Rashid, the most famous industrial designer in all of the Americas is working together with one of India’s leading wallpaper company Marshalls Wallcoverings.
Drawing his inspiration from the vibrations out of speakers he has designed a set of eclectic wall covers. The wall covers have a very psychedelic feel to it and is quite expressive in nature as is seen in most of Karim Rashid’s works.




These wallpapers can definitely fill up a room and will work well with light looking yet firm furniture. Whether you're aiming for a sophisticated look for your living room or a slightly more energetic one for your study, these kaleidoscopic designs in striking colours will set the mood for a hip vibrant corner that’s buzzing with life.

The colours used are a good mix and shades of the right hue’s and tones to embellish and compliment certain features of different home décor elements.

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PANTONE: Colour of the year 2016

11:59 AM Latice Design 0 Comments

WHAT IS THE PANTONE COLOR OF THE YEAR?

A symbolic colour selection; a colour snapshot of what we see taking place in our culture that serves as an expression of a mood and an attitude.

For the first time, PANTONE has selected a combination of two shades – Rose Quartz and Serenity for its colour of the year 2016.

The prevalent combination of Rose Quartz and Serenity also challenges traditional perceptions of colour association. Rose Quartz is a sort of dirtier shade of baby pink, it’s a colour that would fit well in a retro 60’s environment of a Mad Men set and yet make you feel warm and comfortable. Rose Quartz asexualizes the colour pink in this generation of gender fluidity.

Serenity is another soft yet darker shade of baby blue, it encompasses the feeling of lightness and a general sense of calm, the same calm you derive while looking at a clear sunny afternoon sky.

PANTONE’s choice of two colours is a symbolic representation of the rebirth of gender centric colours like blue and pink in an asexual tone. Both the colours together represent a soothing sense of balance, order and peace.


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